About

Designer graphique et typographe, Charles Daoud dessert une clientèle composée à la fois de PME, de grandes entreprises, de cabinets professionnels et d’agences de publicité, au Québec comme à l’étranger. À l’international, il s’est fait connaître par ses collaborations avec les géants Netflix et Brocade, de même que par ses polices de caractères téléchargées par plus de 700 000 utilisateurs – parmi lesquelles la populaire Dense. En 2017, il a piloté le développement de la police Radio-Canada en collaboration avec le diffuseur public – projet récompensé d'un Grand Prix Grafika et publié en couverture de l'annuel de typographie Communication Arts. Il a aussi figuré au palmarès des « 15 Canadian Graphic Designers to follow » du blogue de référence en design MIJLO.

Charles Daoud is a multidisciplinary graphic designer and typographer that works with a wide variety of SMEs, large corporations, firms and advertising agencies across the province of Québec and abroad. He is internationally recognized for his work with major clients, such as Netflix and Brocade, as well as his innovative typefaces, including the ever-popular Dense, which have been downloaded by over 700 000 users. In 2017, he lead the development of the Radio-Canada typeface, in collaboration with the public broadcastera project that earned him a Grafika Grand Prix as well as not only being published in the Communication Arts Typography Annual, but also making its cover. He was also featured as one of the “15 Canadian Graphic Designers to Follow” by MIJLO, an industry-leading design blog.

Clients

Radio-Canada, Netflix, Brocade, Aveva, Thibarmy, Ballistic Management, Montoni, DKA Architectes, Déraison, Falafel Avenue, Macadam, DWB Consultants, Fondaction, Helen Falls, HGregoire, Mango Software, Groupe LDL, 30 & 1, Pascal Labelle, Tenecs Software, Priska & Co, Trudel Johnston & Lespérance, Vaalv, CRM Desjardins, Andalos et plus / and more.

Companies using my fonts

Radio-Canada, Netflix, HBO, Microsoft, CBS, Sony Music Entertainment, L Brands and many more.